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The Getaway

The Getaway

  • Status: Released
  • 13-12-1972
  • Runtime: 123 min
  • Score: 7.088
  • Vote count: 573

A recently released ex-convict and his loyal wife go on the run after a heist goes wrong.

Steve McQueen

Doc McCoy

Ali MacGraw

Carol McCoy

Ben Johnson

Jack Beynon

Sally Struthers

Fran Clinton

Al Lettieri

Rudy Butler

Slim Pickens

Cowboy

Richard Bright

The Thief

Jack Dodson

Harold Clinton

Dub Taylor

Laughlin

Bo Hopkins

Frank Jackson

Roy Jenson

Cully

John Bryson

The Accountant

Bill Hart

Swain

Tom Runyon

Hayhoe

Whitney Jones

The Soldier

Raymond King

Boy on Train

Ivan Thomas

Boy on Train

C.W. White

Boy's Mother

Brenda W. King

Boys' Mother

W. Dee Kutach

Parole Board Chairman

Brick Lowry

Parole Board Commissioner

Martin Colley

McCoy's Lawyer

O.S. Savage

Field Captain

Dick Crockett

Bank Guard

A.L. Camp

Hardware Store Owner

Bob Veal

TV Show Proprietor

Bruce Bissonette

Sporting Goods Salesman

Maggie Gonzalez

Carhop

Jim Kannon

Cannon

Doug Dudley

Max

Stacy Newton

Stacy

Tommy Bush

Cowboy's Helper

Stephen Douglas Butler

Teen at Drive-Up-Diner (uncredited)

R.C. Keene

Beacon City Parade / Robbery Witness (uncredited)

Margaret Mazzola

Car Hop #1 (uncredited)

Hal Smith

Radio Announcer (voice) (uncredited)

Tommy Splittgerber

Train Station Ticket Agent (uncredited)

Wuchak

**_Steve McQueen, Ali MacGraw and others chasing a bag of cash in Texas_** A prisoner in Huntsville (McQueen) is released early due to his wife (MacGraw) making a deal with a corrupt official (Ben Johnson). The cost of his freedom is to head a bank heist in San Marcos with the officer’s questionable henchmen (Al Lettieri and Bo Hopkins). O, what a tangled web we weave. “The Getaway” (1972) is a crime thriller written by Walter Hill based on Jim Thompson’s book and was director Sam Peckinpah’s second most successful film at the box office, after “Convoy” six years later. It was remade in 1994 with Alec Baldwin and influenced soon-to-come movies like “The Outfit,” "Dirty Mary, Crazy Larry," "Thunderbolt and Lightfoot" and “The Gauntlet,” as well as later ones like “No Country for Old Men.” If you like those flicks, you’ll appreciate this one, although it ranks with the least of ’em IMHO. Why? Because the bank job is unnecessarily convoluted, not to mention expensive, with the myriad pre-caper photographs, a cliched last-minute briefing session in a basement, severing electrical cables in the sewer tunnels and even diversionary explosions. Why Sure! Then there’s the curious train station sequence with a convenient con man that’s inserted into the midsection, which I admit is entertaining in a Hitchcockian way. Lastly, despite some amusing bits, the proceedings are shrouded by a pessimistic and ugly perspective. I get that the protagonists are antiheroes, but the film needed more glimmerings of nobility and love, and less murderous venality. “Pulp Fiction” is a good example. Ali looks good on the feminine front and is, thankfully, way less annoying than her character in “Love Story.” Blonde Sally Struthers eventually appears and never looked better at 23 during shooting, but her character is a ditzy turnoff. McQueen would marry costar MacGraw seven months after the movie’s release, but their marriage would only last five years. It runs 2 hours, 2 minutes, and was shot entirely in Texas at Huntsville (prison), San Marcos (bank robbery), San Antonio (train station), Fabens (city street confrontation) and El Paso (Laughlin Hotel). GRADE: B-/C+