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Three Thousand Years of Longing

Three Thousand Years of Longing

  • Status: Released
  • 24-08-2022
  • Runtime: 108 min
  • Score: 6.896
  • Vote count: 1385

A solitary scholar discovers an ancient bottle while on a trip to Istanbul and unleashes a djinn who offers her three wishes. Filled with reluctance, she is unable to come up with one, so the djinn tries to inspire her with his stories.

Tilda Swinton

Alithea

Idris Elba

The Djinn

Erdil Yaşaroğlu

Professor Günhan

Sabrina Elba

British Council Lady / The Watcher

Sarah Houbolt

Airport Djinn

Seyithan Özdemir

Pale Djinn

Aamito Lagum

The Queen of Sheba

Nicolas Mouawad

King Solomon

Ece Yüksel

Gulten

Matteo Bocelli

Prince Mustafa

Lachy Hulme

Sultan Suleiman

Megan Gale

Hürrem

Oğulcan Arman Uslu

Murad IV

Jack Braddy

Ibrahim

Zerrin Tekindor

Kösem

Anna Adams

Sugar Lump

George Shevtsov

The Old Storyteller

David Collins

Ozmet the Jocular

Burcu Gölgedar

Zefir

Vincent Gil

Old Merchant

Melissa Jaffer

Clementine

Anne Charleston

Fanny

Pia Thunderbolt

Orhan's Pa

Berk Ozturk

Semih the Driver / Bazzar Young Shopkeeper

Anthony Moisset

Hotel Porter

Alyla Browne

Young Alithea

Sage Mcconnell

Dormitory Girl

Abel Bond

Enzo

Agani Gecmez

Turkish Hotel Waiter

Ayantu Usman

Sheba's Handmaiden

Peter Bertoni

Jack

Lianne Mackessy

Emmeline Porter

Harlan Norris

London Driver

Leslie Krahner

Fisherman Rough Hands

George Zammit

Male Hands

Feride Eralp

Female Hands

Matthew Khoury

Blacksmith Ifrit / Persian Soldier

Burwaiss Ahmed

Byzantium Labourer

Edoardo Michelotti

Mustafa Janissary

Ronny Mouawad

Mustafa Janissary / Airport Surly Supervisor

Paul Prakash

Mustafa Janissary

Olivia Porter

Juggler

Quaden Bayles

Quick Change Boy

Botan Ozer

Ali

Georgiou Thomas

Rustem Pasha

Arshia Dehghani

Prince Cihangir

Talia Tulin Sert

Seraglio Concubine

Jean-Marc Agbogba

Zaouli Dancer

Kaan Guldur

Young Murad IV

Hugo Vella

Young Ibrahim

Simon Abraham

Persian Soldier

Bryony Pyke

Slender Concubine

Hana Habbouche

Slender Concubine

Jyoti Barry

Ibrahim's Concubine

Madeline Berner

Ibrahim's Concubine

Kathleen Coffey

Ibrahim's Concubine

Nikki Hooppell

Ibrahim's Concubine

Stephanie Julien

Ibrahim's Concubine

Elyse Metaxas

Ibrahim's Concubine

Debbie Correira

Ibrahim's Concubine

Laura Foster

Ibrahim's Concubine

Ashleigh Geitzmann

Ibrahim's Concubine

Hannah Robinson

Ibrahim's Concubine

Felicity Tchorlian

Ibrahim's Concubine

Kate Wake

Ibrahim's Concubine

Mary P

Ibrahim's Concubine

Ron Hicks

Dead Pasha

Glenn Levett

Dead Vizier

Danny Lim

Storyteller

Rellim Egroeg

Hapless Storyteller

Eva Maria Barboza

Old Merchant's Cook

Lulu Pinkus

Old Merchant Wife

Karen Ainley

Old Merchant Wife

Aska Karem

Airport Security Officer

Melissa Kahraman

Airport Security Technician

Bridget Maizey

Rollerblader in Love

Eric Presnall

Rollerblader in Love

Nolan Zadarnowski

Small Child

Patryk Zadarnowski

Father

Nathan Susskind

Young Man Soccer Player

Peter Stephens

Persian General

CinemaSerf

"Alithea" (Tilda Swinton) is a solitary scholar who travels to Istanbul to address a conference on the relative merits of myth v science. At the seminar, she starts to hallucinate and the seed is sown that perhaps the mystical is not so far-fetched as we might think! A visit to the Grand Bazaar sees her acquire a small blue bottle that, when attacked rather unceremoniously with an electric toothbrush, spills it's contents into her hotel room. A giant, hairy-legged Djinn (Idris Elba). In keeping with tradition, he offers her three wishes - but she is sceptical. Easy come, easy goes thinks she - and as the couple chat, she discovers just how he became incarcerated in this, his third, bottle. His are tales of love, lust, greed, power and sadness and he depicts them to her of his life of some thousands of years. He also declares just why it is so important that she actually makes her wishes; for without those he can never attain his freedom. It's good fun this film. An anthology of scenarios that entertain and amuse with a worldly and generous effort from the sagely Swinton who gradually falls in love with her now normal-sized companion. The dynamic between the two stars is engaging and effective, the latter delivering a charming contribution to a simple story of the problems of a series of unrequited loves over the centuries that will probably never find a straightforward solution! It's a quirky film, that moves along quickly and I really quite enjoyed it.

Manuel São Bento

MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Three Thousand Years of Longing is one of the most ambitious films of the year. Relying on the genuinely charming, mesmerizing performances of Idris Elba and Tilda Swinton, George Miller approaches a famous cautionary tale through a distinctive form of storytelling, focusing on flashbacks narrated by the male protagonist. The multiple stories of the past aren't always fascinating, partially due to the chosen narrative method, which becomes repetitive despite enriching some of the core themes. The immersive, atmospheric visuals elevate the overall piece with significant impact, making this a cinematic experience to leave any viewer contemplating life, desire, loneliness, and happiness." Rating: B+

Nathan

I did not have many expectations for _Three Thousand Years of Longing_, but after leaving the theater it left me longing for more. I do not think any individual part of this film was inherently bad. The performances by Idris Elba and Tilda Swinton were captivating and their on-screen chemistry was amazing. The flash backs to the characters' lives were very fascinating. I really enjoyed exploring the lives of ancient civilizations in the eyes of George Miller. The overarching plot was decent, nothing spectacular. But the collection of all these different elements together just felt like a jumbled mess. The movie never gets in a groove and always feels like it is stumbling its way to the finish line. I felt the opening sequence was incredibly rushed and the audience does not really get to form a connection with Alithea before she unleashes the Djinn, and from there on the audience is whipped back and forth from flashback to present day and it feels incredibly disjointed. The jumbled up second act, deflates any type of momentum going into the third making it fall flat on its head. All this compiled together made a somewhat emotional and touching ending feel hollow and lackluster. Overall, as a collection of short stories this movie was a good time, but really does not belong together in a jumbled-up mess of a plot. **Score:** _53%_ | **Verdict:** _Average_