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No Name on the Bullet

No Name on the Bullet

  • Status: Released
  • 01-02-1959
  • Runtime: 77 min
  • Score: 6.6
  • Vote count: 83

When hired killer John Gant rides into Lordsburg, the town's folk become paranoid as each leading citizen has enemies capable of using the services of a professional killer for personal revenge.

Audie Murphy

John Gant

Charles Drake

Luke Canfield

Joan Evans

Anne Benson

Virginia Grey

Roseanne Fraden

Warren Stevens

Lou Fraden

R.G. Armstrong

Asa Canfield

Willis Bouchey

Buck Hastings

Edgar Stehli

Judge Benson

Simon Scott

Reeger

Karl Swenson

Stricker

Whit Bissell

Pierce

Charles Watts

Sid

John Alderson

Chaffee

Jerry Paris

Harold Miller

Russ Bender

Storekeeper

James Hyland

Hugo Mott

Emile Avery

Barfly (uncredited)

Fern Barry

Farmer's Wife (uncredited)

John Barton

Townsman (uncredited)

Marjorie Bennett

Store Customer (uncredited)

Willie Bloom

Townsman (uncredited)

Charles Cane

Eddie (uncredited)

Jess Cavin

Townsman (uncredited)

Bill Clark

Barfly (uncredited)

Hugh Corcoran

Boy (uncredited)

Russell Custer

Townsman (uncredited)

Fred Dale

Townsman (uncredited)

Edgar Dearing

Charlie - Chess Player (uncredited)

James Dime

Townsman (uncredited)

Harold Goodwin

Wilson - Bank Clerk (uncredited)

Herman Hack

Townsman (uncredited)

Al Haskell

Townsman (uncredited)

George Hickman

Barfly (uncredited)

Helen Jay

Mrs. Millie Chaffee (uncredited)

Harvey Karels

Townsman (uncredited)

Jess Kirkpatrick

Poker Player (uncredited)

William Mims

Poker Player (uncredited)

Hank Patterson

Ed - Chess Player (uncredited)

Volney Peavyhouse

Minor Role (uncredited)

Jack Perrin

Townsman (uncredited)

Vincent Perry

Barber (uncredited)

Bob Reeves

Townsman (uncredited)

Dennis Rush

Billy Chafee (uncredited)

Sam Savitsky

Townsman (uncredited)

Bob Steele

Poker Player (uncredited)

James Van Horn

Townsman (uncredited)

Joe Walls

Townsman (uncredited)

Guy Wilkerson

Farmer (uncredited)

John Chard

He could be as innocent as a baby, but the things that are happening here are still his fault. John Gant is a hired assassin, whenever he rides into a town the whole townsfolk wonder who it is who is on his list. John Gant is a very shrewed assassin for he never gets arrested because he never draws first, he psychologically gets under his targets skins forcing them to shoot first, and John Gant always has witnesses. Today, John Gant has rode into Lordsburg, and from today things will never be the same again... In CinemaScope and Eastman Color Directed by Jack Arnold, we open with a vision of sprawling hills and a vast landscape (DOP: Harold Lipstein), a man handsomely attired in pristine black clothing trots past on his shiny black horse, he gathers pace and gallops off over the hills, we next see him trotting into Lordsburg, elegance and grace oozing from his pores. This is John Gant, also known as Audie Murphy, and for me we are introduced to one of the greatest Western characters outside of the critics favoured lists of usual suspects. Audie Murphy had his critics, he himself hardly went out of his way to embrace stardom and pander to the ink scribblers, but here as Gant is a performance of icy cold wonderment that in my opinion proves any doubters wrong. Gant rides into Lordsburg and his mere presence sends the town into panic, friends and associates implode with suspicion whilst Gant just calmly floats amongst them with little leers and low speaking pearls of wisdom. As Gant forms a weird sort of friendship with Charles Drake's Dr. Luke Canfield, the picture gains some much needed heart, and once the finale arrives it helps to close the picture on a hugely rewarding note. The film reminded me very much of a Twilight Zone episode called The Monsters Are Due On Maple Street, it's a great story to work from {courtesy of Howard Amacker}, because it's morally suspicious and it has characters always on the brink of breaking the law through the sheer worry of their sins and dubious intentions coming back to get them. My only real complaints are that the film is far to short, not sure if it was down to budget or acting restrictions? But clocking in at just 77 minutes I personally feel that another 15 minutes was a must to fully flesh out the finale, and sadly the exterior filming of the gorgeous locale is sparse, which is most galling after the attention grabbing opening shots. However, the film still works a treat and comes highly recommended to even those who don't like Westerns. 8/10