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The Long, Hot Summer

The Long, Hot Summer

  • Status: Released
  • 17-05-1958
  • Runtime: 115 min
  • Score: 7.1
  • Vote count: 208

Accused barn burner and conman Ben Quick arrives in a small Mississippi town and quickly ingratiates himself with its richest family, the Varners.

Paul Newman

Ben Quick

Joanne Woodward

Clara Varner

Anthony Franciosa

Jody Varner

Orson Welles

Will Varner

Lee Remick

Eula Varner

Angela Lansbury

Minnie Littlejohn

Richard Anderson

Alan Stewart

Sarah Marshall

Agnes Stewart

Mabel Albertson

Elizabeth Stewart

J. Pat O'Malley

Ratliff

Bill Walker

Lucius

Robert Adler

Ambulance Driver (uncredited)

Val Avery

Wilk (uncredited)

Jim Brandt

Linus Olds (uncredited)

Brian Corcoran

Harry Peabody (uncredited)

Lee Erickson

Tom Shortly (uncredited)

Byron Foulger

Harris (uncredited)

I. Stanford Jolley

Houston (uncredited)

Nicholas King

John Fisher (uncredited)

Ralph Reed

J. V. Bookright (uncredited)

Steve Widders

Buddy Peabody (uncredited)

Arthur Tovey

Man at Auction (uncredited)

Helen Wallace

Minor Role (uncredited)

CinemaSerf

This reminded me a little of "Cat on a Hot Tin Roof" (1954) with Paul Newman playing the roguish "Quick" who arrives in a small town, dominated by the "Varner" family and quickly tries to ingratiate himself into their wealthy ways. They, indeed the whole town, are dominated by the patriarchal "Will" (Orson Welles) who seems determined that his daughter "Clara" (Joanne Woodward) will marry local dullard "Stewart" (Richard Anderson). She, on the other hand, takes an instant shine to the newcomer and when brother, and general loafer, "Jody" (Anthony Franciosa) starts to feel a little threatened by this man who is seemingly of much more interest to his father than he is, things start to become a little tense around the place - to say the least. It's a small point, but the audio from Welles isn't the best and sometimes its quite difficult to make out what he's saying, but as the family dynamic becomes more strained and the backstory fills in a tale of a group of people for whom it's really only money that has become the thing that matters now - we end up with a characterful study of avarice and ambition tempered with some dark humour and an increasingly engaging effort from Welles and a smouldering - if maybe a little too predictable - chemistry from Woodward and Newman. It can be a bit wordy at times, but Martin Ritt keeps the pace even and taut as these folks evolve before us. It's not as intense as it might be, but it's still an easy two hours looking at the less salubrious side of human nature.