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The Swindle

Il bidone

  • Status: Released
  • 07-10-1955
  • Runtime: 113 min
  • Score: 7.306
  • Vote count: 211

Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Carlo, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.

Broderick Crawford

Augusto

Giulietta Masina

Iris

Richard Basehart

Carlo

Franco Fabrizi

Roberto

Sue Ellen Blake

Susanna

Irene Cefaro

Marisa

Alberto De Amicis

Rinaldo

Lorella De Luca

Patrizia, Augusto's Daughter

Giacomo Gabrielli

Baron Vargas

Riccardo Garrone

Riccardo

Paul Grenter

Emilio Manfredi

Lucetta Muratori

Mario Passante

Conman

Sara Simoni

Stella's Sister

Xenia Valderi

Luciana

Mara Werlen

Maggie

Maria Zanoli

Stella Florina

Ettore Bevilacqua

Swindled Man

Gino Buzzanca

Saro (uncredited)

Grazia Carini

(uncredited)

Gianna Cobelli

(uncredited)

Ada Colangeli

(uncredited)

Tiziano Cortini

Blond of the Movie Theater (uncredited)

Gustavo De Nardo

(uncredited)

Gianni Di Segni

Party Guest (uncredited)

Rosanna Fabrizi

(uncredited)

Yami Kamadeva

(uncredited)

Tullio Tomadoni

(uncredited)

Amedeo Trilli

(uncredited)

Barbara Varenna

(uncredited)

CinemaSerf

I had no idea, until recently, that Broderick Crawford had ever done this film and he's really quite good. He ("Augusto") leads a trio of grifters who take the low hanging fruit. They have no scruples about robbing the vulnerable, ordinary folks - and are quite imaginative when it comes to their scams. Set against a backdrop of a still recovering post-war Italy, there is an effective cynicism about the way the plot and the characters develop. Crawford works well with sidekick Richard Basehart's "Carlo" but his is the stand out role. The rest of the film does run a little to typical crime-noir stereotype, but the photography that marries the bleak with the beautiful, and a superb score from the always reliable Nino Rota give this more of a grandeur. I wasn't mad on the ending - it was just too easy, too predictable and somehow underwhelmed Crawford's otherwise really quite nuanced performance. It tugs well at our heart-strings at times whilst offering a soupçon of humour and is a film that demonstrated a talent in the star I wasn't expecting.