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Young Man with a Horn

Young Man with a Horn

  • Status: Released
  • 01-03-1950
  • Runtime: 112 min
  • Score: 6.3
  • Vote count: 52

Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.

Kirk Douglas

Rick Martin

Lauren Bacall

Amy North

Doris Day

Jo Jordan

Hoagy Carmichael

Willie 'Smoke' Willoughby

Juano Hernández

Art Hazzard

Jerome Cowan

Phil Morrison

Mary Beth Hughes

Marge Martin

Nestor Paiva

Louis Galba

Orley Lindgren

Young Rick

Walter Reed

Jack Chandler

Paul E. Burns

First Pawnbroker (uncredited)

Dan Seymour

Mike (uncredited)

Bill Walker

Funeral Minister

Jean Spangler

Hula Dancer

Paul Brinegar

Stage Manager (uncredited)

Frank Cady

Hotel Clerk (uncredited)

Dick Cherney

Nightclub Patron (uncredited)

Everett Glass

Mission Song Leader (uncredited)

Keye Luke

Ramundo the Houseboy (uncredited)

Barry Norton

Man at Train Station / Café Guest (uncredited)

John Chard

This trumpet is part of me, the best part! Young Man With A Horn is inspired by the sad life of jazz musician Bix Beiderbecke, a sad life because Bix would succumb to alcoholism and pass away at the age of 28. Rick Martin (Kirk Douglas) is the fictional character of the piece, the film is told in flashbacks of Martin's life through the nostalgic reminiscence of pianist Smoke Willoughby (Hoagy Carmichael). Young Man With A Horn is very much a film of three parts, the first half firmly establishes Rick's love of music from an early age, his tutelage under mentor Art Hazzard (Juan Hernandez) is fully formed and completely fleshes out Rick's character. We are then privy to the middle part of his life as he forms a bond with Smoke and band singer Jo Jordon (an ebullient and charming Doris Day), Rick is happy, his love of music taking priority over outside interests, but then Amy North (a swishing Lauren Bacall) enters his life, and here the film switches firmly into a melodramatic piece, it's a switch that pays off as the end credit looms large. The directing from Michael Curtiz is as you would expect very tight to the drama, and the photography from Ted McCord captures the smoke filled nature of jazz clubs perfectly. The acting from the cast principals is never less than above average. Some may find it hard to accept Kirk Douglas in the leading role, and certainly at first glance he looks oddly out of place with a trumpet at his lips, but he studied under trumpeter Larry Sullivan and convinces as a viable trumpet player (the actual music is dubbed by Harry James). The music of course is excellent, and as long as one is prepared for the melodramatic turn of events, this is a very rewarding piece. The proviso though is that you remember that this is far from being a true biographical story of the tragic Bix Beiderbecke. 8/10