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  • Status: Released
  • 20-10-1981
  • Runtime: 82 min
  • Score: 7
  • Vote count: 1

In 1945, the Carlions assemble at an English country house for a family gathering. During the event, they must determine who is to take over the family brewing empire, since the present head of the business, Sir Frederick, is getting old. The results of the 1945 general election causes a major stir, and some angry farmers occupy a barn.

Leo McKern

Sir Frederick Carlion

James Fox

Philip Carlion

Wendy Hiller

Daisy - Lady Carlion

Penelope Wilton

Virginia Carlion

Jill Bennett

Alice Carlion

Deborah Norton

Faith

Joan Greenwood

Dollie van der Biek

Alan Webb

Sir Piers Blair

Tim Seely

Andrew Oliphant - Father

Frederick Alexander

Andrew Oliphant - Son

Frederick Treves

Matthew Harcourt

Eliza Buckingham

Margaret Harcourt

Edward Rawle-Hicks

Teddie Harcourt

Tamzin Neville

Elizabeth Harcourt

Richard Durden

Guy Wheldon

Aubone Tennant

Nigel Wheldon

Julian Wadham

Robert Carlion

Suzanne Burden

Lindsey Carlion

Bryan Coleman

Edward Carlion

David Neville

James Blair

Madoline Thomas

Nanny

Frank Mills

Ashford

Malcolm Storry

The Inspector

Ralph Nossek

Mr Joseph

Donald Eccles

The Dean

Richard Vanstone

Hop Picker

CinemaSerf

With WWII won, the "Carlion" family gather at their stately home in the run up to the British General Election. These are wealthy and privileged people who run a brewing business and it's their head "Sir Frederick" (Leo McKern) who is now looking to pass on the mantle. As with many family gatherings, the atmosphere quickly becomes quite toxic only here it's not just the mix of personalities that sparks, but attitudes. Politics in the kingdom is changing, attitudes are changing and the days of gentry and serf might well be on the way out as it becomes clear that Clement Attlee's socialist government is going to be running the country with quite a substantial mandate. McKern holds this together well providing a mix of stoicism and belligerence as his character has to deal with societal changes as well as those affecting his own role in his business and his family. Dame Wendy Hiller and Penelope Wilton also contribute well helping to illustrate the changing nature of the role of women in this brave new world, too. There are also references to the hitherto under-the-heal labouring classes who finally take their pitchforks in hand and gently (they are British, after all) make their presence felt. It's a little bit verbose at times, and Richard Eyre doesn't always manage to sustain the pace leading to maybe a few too many troughs amidst the undoubted peaks provided by a cast who present us with a familial equivalent of Janus - looking both behind them and to the front, left and then right, all at the same time unsure how to jump. Perhaps prophetic of a period of national "realignment" under Margaret Thatcher's newly elected government that was about to start as this was made?