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Now, Voyager

Now, Voyager

  • Status: Released
  • 22-10-1942
  • Runtime: 117 min
  • Score: 7.4
  • Vote count: 211

A woman suffers a nervous breakdown and an oppressive mother before being freed by the love of a man she meets on a cruise.

Bette Davis

Charlotte Vale

Paul Henreid

Jeremiah 'Jerry' Duvaux Durrance

Claude Rains

Dr. Jaquith

Gladys Cooper

Mrs. Henry Vale

Bonita Granville

June Vale

John Loder

Elliot Livingston

Ilka Chase

Lisa Vale

Lee Patrick

Deb McIntyre

Franklin Pangborn

Mr. Thompson

Katharine Alexander

Miss Trask

James Rennie

Frank McIntyre

Mary Wickes

Dora Pickford

Tod Andrews

Dr. Dan Regan (uncredited)

Brooks Benedict

Party Guest (uncredited)

Yola d'Avril

Celestine (uncredited)

Charles Drake

Leslie Trotter (uncredited)

Claire Du Brey

Hilda (uncredited)

Elspeth Dudgeon

Aunt Hester (uncredited)

Bill Edwards

Ship's Passenger (uncredited)

Mary Field

Ship's Passenger (uncredited)

Bess Flowers

Concert Audience Member (uncredited)

George Lessey

Uncle Herbert (uncredited)

Tempe Pigott

Mrs. Smith (uncredited)

Frank Puglia

Giuseppe (uncredited)

Constance Purdy

Rosa (uncredited)

Janis Wilson

Christine 'Tina' Durrance (uncredited)

Ian Wolfe

Lloyd (uncredited)

CinemaSerf

Bette Davis at her best took some beating, and here is one such an example. Together with expertly delivered performances from Claude Rains and Gladys Cooper we are presented with an emotional roller-coaster of a film. Davis starts as the hen-pecked daughter of Cooper, until she encounters Rains' "Dr. Jaquith" who decides that he may be able to help this erstwhile shy spinster find herself a little purpose in life. She is despatched on a cruise liner where she meets the married "Jerry" (Paul Henried) and though there is a semblance of a romance, it can come to nothing and it is only after a long, occasionally torrid but always riveting series of scenarios, that we begin to arrive at anything that might resemble a conclusion. Irving Rapper does really well to allow Max Steiner's score and an excellent Casey Robinson screenplay to empower his stars to create and develop characters in whom - especially Davis - we can readily invest. I have never been Henreid's biggest fan, I always found him just a little bit insipid, but he works well here as does a really on form Cooper in the role of her mother. Seen very recently on a big screen again after almost 80 years, and it has lost none of it's style, panache and wonderfully paced sense of the dramatic. Great stuff!