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The Producers

The Producers

  • Status: Released
  • 18-03-1968
  • Runtime: 88 min
  • Score: 7.1
  • Vote count: 837

Broadway producer Max Bialystock and his accountant, Leo Bloom, plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Zero Mostel

Max Bialystock

Gene Wilder

Leo Bloom

Dick Shawn

Lorenzo St. DuBois (L.S.D.)

Kenneth Mars

Franz Liebkind

Estelle Winwood

"Hold Me Touch Me"

Christopher Hewett

Roger De Bris

Andréas Voutsinas

Carmen Ghia

Lee Meredith

Ulla

Renée Taylor

Eva Braun

Michael Davis

Production Tenor

John Zoller

Drama Critic

Madlyn Cates

Concierge

Frank Campanella

The Bartender

Arthur Rubin

Auditioning Hitler

Zale Kessler

Jason Green

Bernie Allen

Auditioning Hitler

Rusty Blitz

Auditioning Hitler

Anthony Gardell

Auditioning Hitler

Mary Love

Lady

Amelie Barleon

Lady

Nell Harrison

Lady

Elsie Kirk

Lady

Anne Ives

Lady

Barney Martin

Göring

David Patch

Goebbels

Diana Eden

Showgirl

Tucker Smith

Lead Dancer

David Evans

Lead Dancer

Josip Elic

Violinist

Shimen Ruskin

The Landlord

William Hickey

The Drunk

Brutus Peck

Hot Dog Vendor

Mel Brooks

Singer in "Springtime for Hitler" (voice) (uncredited)

Bill Macy

Jury Foreman (uncredited)

Linda Gillen

Sax Player (uncredited)

Robert Paget

Auditioning Hitler (uncredited)

Jeff_34

**Greatest of all Time - GOAT - Best comedies.** Easily my number one. This film can be rewatched over and over again - always just as hilarious and timeless.

adorablepanic

THE PRODUCERS (1967) - Mel Brooks' first feature film starts with the funniest opening credits sequence I've ever seen - a monetarily motivated rendezvous between a serial Broadway failure and a sexually insatiable octogenarian - and then proceeds to get even more hilarious as it progresses. The fabulous Zero Mostel somehow manages to chew scenery for breakfast, lunch and dinner while never overshadowing any of the other players (whose performances are all also appropriately broad, to be honest). Interestingly, were it not for a little known film by the name of THE GRADUATE (1967) casting while this film was going into production, we would have had Dustin Hoffman as the starry-eyed Nazi playwright. So Dustin went on to fame in another picture; Kenneth Mars ended up with a juicy role in just his second feature film; and Mel got to skewer the Third Reich and win an Academy Award for writing while doing it. Sometimes things just work out.