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When Strangers Marry

When Strangers Marry

  • Status: Released
  • 21-08-1944
  • Runtime: 67 min
  • Score: 6.1
  • Vote count: 29

A naive small-town girl comes to New York City to meet her husband, and discovers that he may be a murderer.

Dean Jagger

Paul Baxter

Kim Hunter

Millie Baxter

Robert Mitchum

Fred Graham

Neil Hamilton

Det. Lt. Blake

Lou Lubin

Jacob Houser

Milton Kibbee

Charlie

Dewey Robinson

Newsstand Owner

Claire Whitney

Middle-Aged Woman

Edward Keane

Middle-Aged Man

Virginia Sale

Chambermaid

Dick Elliott

Sam Prescott

Lee 'Lasses' White

Old Man

Marta Mitrovich

Baby's Mother

Billy Nelson

Louisville Driver

Rhonda Fleming

Girl on Train (uncredited)

Sam McDaniel

Train Porter (uncredited)

William Castle

Man in Photograph Given to Police (uncredited)

Minerva Urecal

Landlady (uncredited)

George Lloyd

Hugo the Great (uncredited)

Jack 'Tiny' Lipson

Man in Cafeteria (uncredited)

Weldon Heyburn

Bill - Police Sergeant (uncredited)

Byron Foulger

Albert Foster (uncredited)

Fred Aldrich

Police Detective (uncredited)

Lennie Bluett

Dancer at Big Jims (uncredited)

Marie Bryant

Dancer at Big Jims (uncredited)

Karen X. Gaylord

Girl on Train (uncredited)

John Chard

Your life may depend on it! When Strangers Marry (AKA: Betrayed) is directed by William Castle and written by Philip Yordan and Dennis J. Cooper. It stars Dean Jagger, Kim Hunter, Robert Mitchum and Neil Hamilton. Music is by Dimitri Tiomkin and cinematograpy by Ira H. Morgan. A compact William Castle noir that finds Hunter marrying a man she barely knows (Jagger), only to find he may be a murderer. Robert Mitchum is on hand for help and advice… Well put together by Castle who keeps things brisk and simple whilst keeping the mystery element high, that in turn does justice to the decent script. There’s plenty of noir touches, from expressionistic photography and up-tilts, to cool montages and feverish scenes. Some odd characters add to the psychological discord, while Tiomkin blends jazzy dance strains with “he’s behind you” type rumbles. Cast performances are more solid than anything spectacular, but Mitchum serves very early notice of what a presence and icon he was to become. Some sequences look cheap, which for a Monogram cheapie is to be expected, and this type of pic has been done far better by others, notably Hitchcock and Lewton, both of whom Castle doffs his cap towards. But this never outstays its welcome and there’s plenty here for the noir lover to get hooked on. 7/10