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Forty Guns

Forty Guns

  • Status: Released
  • 10-09-1957
  • Runtime: 80 min
  • Score: 6.5
  • Vote count: 123

An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.

Barbara Stanwyck

Jessica Drummond

Barry Sullivan

Griff Bonell

Dean Jagger

Sheriff Ned Logan

John Ericson

Brockie Drummond

Gene Barry

Wes Bonell

Robert Dix

Chico Bonell

Jidge Carroll

Barney Cashman

Paul Dubov

Judge Macy

Gerald Milton

Shotgun Spanger

Ziva Rodann

Rio

Hank Worden

Marshal John Chisum

Neyle Morrow

Wiley

Chuck Roberson

Howard Swain

Chuck Hayward

Charlie Savage

Sandra Wirth

Chico's Girlfriend

Eve Brent

Louvenia Spanger

Tex Driscoll

Barber (uncredited)

Carol Henry

Gunman (uncredited)

George Huggins

Townsman (uncredited)

Eddie Parks

Sexton (uncredited)

Jack Perrin

Townsman at Wedding (uncredited)

Tom Smith

Townsman (uncredited)

George Sowards

Townsman (uncredited)

Jack Stoney

Townsman at Wedding (uncredited)

John Chard

I was born upset. Forty Guns is written and directed by Sam Fuller. It stars Barbara Stanwyck, Barry Sullivan, Dean Jagger, John Ericson, Gene Barry, Robert Dix, Eve Brent and Ziva Rodann. Music is by Harry Sukman and cinematography by Joseph F. Biroc. It's all going to kick off in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond - the tough no nonsense lady rancher who controls the territory. So what do we have here then? Just another recycled Western plot that is basically the Earp's/Clanton's feud that culminated in the Gunfight At The O.K. Corral? Well no, not really, for this is Sam Fuller on devilishly twisty form. Fuller gives this particular Western a film noir make over, both in look and dialogue innuendo. Pic is filled with outstanding sequences, be it shocking deaths, bravado pumped show downs or chiaroscuro framing of key characters, no frame is wasted in this piece - visually or aurally. From a psychological stand point it's a right hornets nest, a meaty broth of cynical observations on love, power and that bastion of American cinema - the Western. The action construction on offer is electrifying, if Fuller isn't dallying with various camera techniques to keep the story on the hop, he's being kinetic with is action filming. All of which is in the Scope format, with the ace Biroc weaving some monochrome magic. Probably now it has risen above being just a cult Western classic, Fuller's standing in the decades that would follow this release have ensured that to be the case. Yet it is noted that this holds no surprises in how story eventually pans out, which is disappointing given the noir pulse beats driving it forward. In fact a charge of schmaltz at pics end is justified and stops this being the masterpiece many of us yearn it to be. Still, tis a superb genre piece of some considerable substance. A film that begs to be revisited on more than one occasion. Thank You Samuel. 8/10