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Paper Moon

Paper Moon

  • Status: Released
  • 09-05-1973
  • Runtime: 102 min
  • Score: 7.871
  • Vote count: 756

A bible salesman finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership as a money-making con team in Depression-era Kansas.

Tatum O'Neal

Addie Loggins

Ryan O'Neal

Moses Pray

Madeline Kahn

Trixie Delight

John Hillerman

Deputy Hardin / Jess Hardin

Jessie Lee Fulton

Miss Ollie

Noble Willingham

Mr. Robertson

Randy Quaid

Leroy

P.J. Johnson

Imogene

James N. Harrell

The Minister

Burton Gilliam

Floyd (Desk Clerk)

Hugh Gillin

2nd Deputy

Desmond Dhooge

Cotton Candy Man

Art Ellison

Silver Mine Gentleman

Lila Waters

The Minister's Wife

Bob Young

Gas Station Attendant

Jack Saunders

Station Master

Jody Wilbur

Cafe Waitress

Liz Ross

The Widow Morgan - Pearl

Yvonne Harrison

The Widow Bates - Marie

Ed Reed

The Lawman - Bates' Home

Dorothy Price

Ribbon Saleslady

Eleanor Bogart

The Widow Stanley - Elvira

Dorothy Forster

The Widow Huff - Edna

Lana Daniel

Moze's Girlfriend

Herschel Morris

The Barber

Dejah Moore

Salesgirl - $20 Bill

Ralph Coder

Store Manager

Harriet Ketchum

Store Customer

Kenneth Hughes

Harem Tent Barker

George Lillie

The Photographer

Floyd Mahaney

Beau - Hardin's Deputy

Gilbert Milton

Leroy's Father

Tandy Arnold

Leroy's Brother

Dennis Beden

Leroy's Brother

Vernon Schwanke

Leroy's Brother

Rose-Mary Rumbley

Aunt Billie (as Rosemary Rumbley)

John Chard

Utterly delightful. Father and daughter Ryan and Tatum O'Neal, under Peter Bogdanovich's superlative direction, produce one of the most affectingly warm and cunningly sly movies of the 1970s. Set in depression era America and beautifully photographed in pristine monochrome by Laszlo Kovacs, it's a period piece that refuses to get old, such is the deft imagery and sharpness of the screenplay. Story essentially comes down to conman Moses Pray (R. O'Neal) hooking up with orphan Addie Loggins (T. O'Neal), who may or may not be his actual daughter. Addie proves to be a precocious live wire, not easily fooled and she smokes, cusses and is more than capable of pulling a con herself. After initial indignation, Moses comes to court Addie's strengths and they form a dynamic partnership as they travel through Kansas, pulling cons left right and centre and piling the money up. But can it last forever? The chemistry between father and daughter is obviously set in stone, with young Tatum an absolute revelation. The screenplay gives them both ample opportunities to enchant and amuse the viewer as they get up to all sorts of tricks and scrapes. Yet there's always that feeling hanging in the dusty air that something has to give, that we are treading firmly in bittersweet territory, the crafty couple having earned our complete investment in their well being keeping us concerned even as we laugh out loud. Delightful. 9/10

Wuchak

***Ryan O’Neal and his kid daughter Tatum in 1930’s Kansas*** In Depression-era Kansas, a conman who sells Bibles (Ryan O’Neal) is coerced into allowing a precocious 9 year-old (Tatum O’Neal) to ride with him as they travel to St. Joseph, Missouri, where her aunt lives. Madeline Kahn plays a carnival “dancer” with P.J. Johnson as her teen aide. John Hillerman appears in a double role as a bootlegger and police officer. "Paper Moon" (1973) is a B&W drama with amusing moments. Imagine “The Highwaymen” (2019) and “Bonnie and Clyde” (1967), but with a lighter tone and much less severe criminality, mixed with father/quasi-daughter antics. The movie’s entertaining throughout, but the ending’s too low-key for my tastes (How about some good ol’ fashioned emotion?). But that’s a minor quibble. The film runs 1 hour, 42 minutes and was shot in Kansas, Nebraska & Missouri (with one part done in Pasadena). GRADE: B